Vagrich Bakhchanyan, Attention!(detail), 1972–73, transfer process, colored pencil, and ink on paper. Courtesy of Zimmerli Art Museum, via Hyperallergic

• We’ve known for a while that fairy tales are old, but only now have we discovered that they’re in fact really, really, really old—an important distinction. Stories like “Beauty and the Beast” and “Rumpelstiltskin” originated thousands of years ago, researchers suggest, in “prehistoric times, with one tale originating from the bronze age”: “Using techniques normally employed by biologists, they studied common links between 275 Indo-European fairy tales from around the world and found some have roots that are far older than previously known, and ‘long before the emergence of the literary record.’ ”
• “The sound is as important as the surface and the feel. It’s important because our ears define for me the nature of space,” said Derek Sugden, an acoustic engineer who died this week at ninety-one. He headed Arup Acoustics, which designed buildings with sound in mind, thus starting a kind of quiet revolution in architecture, as Gillian Darley writes: “The more recent transformation of the Rijksmuseum in Amsterdam by Cruz y Ortiz takes its responsibilities to an immense visiting public seriously. Enormous frame-form baffles hang from the Gothic Revival roof of the original atrium, while several interior windows are blanked out with fabric ‘shutters’ to keep resonance at a minimum. Thousands of people come and go (the café is in a separate space beyond) and the experience remains convivial and pleasurable, sound levels no higher than a gentle hum. Yet nothing is made of this achievement in features on the renovated museum in the architectural press: Sugden was right, architects don’t hear.”
• The Soviet artist Vagrich Bakhchanyan hoped to subvert his government by using its own language against it in his art: “He made works on paper in which appropriated texts and images were combined and layered using transfer techniques, some utilizing official notices by Soviet administrators—the terse, usually handwritten flyers that punctuated the everyday life of Soviet citizens with warnings, admonitions, and exhortations. One such announcement scribbled on a page torn out of a logbook reads: ‘Comrade residents! On Monday the 19th there won’t be any cold or hot water. We ask you to close the taps and shut off the heating system in your apartments.’ Over top of this message, Bakhchanyan has layered an image of a peaceful country landscape. In this and other works, the juxtaposition of random texts and images was meant to produce a momentary disorientation, a visual and mental shock caused by two or more layers of signification clashing and negating one another. The artworks reflect the absurdities and humiliations of the Soviet life—the tragic contradictions between the official ideology of socialism and its everyday reality.”
• Last November, Yurina Ko went to the Big Eaters World Championship in Times Square, where passersby were fascinated by a Japanese woman—everyone called her a girl—who could eat and eat and eat: “ ‘But the girl. She can eat.’ ‘I wonder what her stomach looks like’ … It’s the magic of the Little Big Eater Girl. She’s skinny, prepubescent, and childlike in her seeming ignorance about what constitutes an appropriate portion of food. And yet she’s an adult. If you take her on a date, she won’t order just a salad but every item on the menu and beg for dessert after. After enjoying every spoonful of this giant meal, she still looks healthy, small, and fuckable … Someone in the crowd points to the Japanese eater and says, ‘But look, now she’s sick.’ The woman looks like she’s in pain, breathing into a paper bag. What’s really happening is she’s starting to regurgitate into it. People scatter at the sight of this.”
• Today in corporate-media pissing contests: anyone who dreams of landing a gig at Condé Nast has a foolish, outmoded dream, because all the cool kids work at Hearst now. “Working at Condé is passé,” an “insider” told Page Six. (Another compared Condé to Icarus.) “Hearst has the better perks now: visiting chefs in the cafeteria and free workout clothes in the gym. There are also master classes from the likes of Gloria Steinem, Ethan Hawke, and Arianna Huffington.”